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It concerns the grief of President Abraham Lincoln for his young son William and is an entertaining and heartbreaking reminder that grief afflicts the poor and the mighty in equal measure. This polyphonic tale of multiple ghosts won the 2017 Man Booker prize – not bad considering it was Saunders’ first novel, although he was already a highly acclaimed short story writer. Lincoln in the Bardo by George Saunders (2017) Many of his descriptions will haunt you: for me, it was the bereaved parents training themselves to operate mechanical diggers so they could excavate silt and mud for the bodies of their children long after the official search had given up.ĥ. Parry concentrates on the tragedy of Okawa primary school, which lost all but two of its children. This award-winning non-fiction account of the 2011 tsunami that claimed tens of thousands of lives in Japan isn’t strictly a ghost story either, but it’s a stunning account of how the living are haunted by the need to reclaim their dead. Ghosts of the Tsunami by Richard Lloyd Parry (2017) This short, intense and beautiful book was selected for the Man Booker International longlist, making Kurniawan the first Indonesian author to be nominated. Ghosts have a strong presence in Indonesian culture and the white tiger that inhabits this story is not only the phantom inside the young murderer Margio but also a literal tiger that can be seen by the villagers. Ghost stories from different nations provide a cultural barometer of sorts. One of the intriguing aspects of reading this unresolved story is that, seen through modern eyes, its ambiguities offer themselves up as metaphors for child neglect and sexual abuse within the home. A governess has care of a young boy and girl, two orphans, who she comes to believe can see the ghosts of a man and woman maliciously haunting the house. No list of ghost stories could exclude this Victorian classic set in a remote country house. The Turn of the Screw by Henry James (1898) If you haven’t read it yet, what’s wrong with you?Ģ. When Morrison’s death was announced at the beginning of August, many commentators cited Beloved as one of the greatest novels of all time. To write it “was to pitch a tent in a cemetery inhabited by highly vocal ghosts”, Morrison said, talking of the “the chaos of the needy dead”. The women in the house knew it and so did the children.” In the Nobel prize-winning author’s most famous book, the ghost of a baby killed by her mother to save her from slavery is a malicious sprite but also a metaphor for the way in which the great evil of slavery haunts its victims after abolition, haunts the history of America and should haunt us all. This great testament to the horrors of slavery opens with a haunting. The very best ghost stories get you to suspend your disbelief because whatever the nature of their manifestation the rationale for that ghost existing is entirely convincing: here are some of them. Suddenly, there are a lot of verbs that can only be employed with the greatest of caution. The minute your ghost talks about whisking from one place to the next, or floating along a pavement, they sound like Casper. It’s surprisingly hard not to make a narrator-ghost appear twee.
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That created other problems, though – what could my ghost do? Could she move objects, pass through walls?
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In the case of Platform Seven, I answered that question right at the start by having the whole novel narrated by a ghost – that of a young woman who has died on Peterborough railway station and finds herself trapped there until the mystery of her death is solved.